March 27, 2018

Review: No Time to Spare: Thinking About What Matters

No Time to Spare: Thinking About What Matters No Time to Spare: Thinking About What Matters by Ursula K. Le Guin
My rating: 4 of 5 stars

This is a marvelous essay collection from Ursula K. Le Guin, drawn from posts on her blog, and sadly the last. While reading it, I was struck by the relaxed, conversational tone that contrasted with the often serious subjects and deep thinking exhibited. As usual, her writing is exquisite, drawing the reader in to the point where she can make a discussion of soft-boiled eggs and egg spoons as riveting as a fast-paced story.

Just a few quotes.

On aging (from "The Sissy Strikes Back"):

It can be very hard to believe that one is actually eighty years old, but as they say, you'd better believe it. I've known clear-headed, clear-hearted people in their nineties. They didn't think they were young. They knew, with a patient, canny clarity, how old they were. If I'm ninety and believe I'm forty-five, I'm headed for a very bad time trying to get out of the bathtub.

On her cat, Pard (from "Chosen By a Cat"):

We call him the good cat with bad paws. The paws get him into trouble and cause loud shouting and scoldings and seizures and removals, which the good cat endures with patient good humor--"What are they carrying on about? I didn't knock that over. A paw did."

There used to be a lot of small delicate things on shelves around the house. There aren't now.


And from the aforementioned egg dissertation ("Without Egg"):

The sole imperfection of the egg spoon is that it's so small it gets lost. Horn spoons are larger, but the beautiful horn spoon my daughter gave me finally wore out, its edge becoming coarse and fibrous. Replacement can be a problem; most Americans don't eat their eggs from the shell, and the implement has become rare and hard to find. When I see one, I acquire it. My current egg spoon is stainless steel; on the handle are the letters K L M. I will not go into how we came to own this spoon.

The prose is lovely and deceptively simple, like clear running water. I can clearly see Ursula thinking carefully about each word, re: the difference between "lightning and the lightning-bug," via Mark Twain. These essays are a pleasure to read, and it's so sad that this marvelous voice has been stilled.





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March 26, 2018

Review: Don't Live for Your Obituary: Advice, Commentary and Personal Observations on Writing, 2008-2017

Don't Live for Your Obituary: Advice, Commentary and Personal Observations on Writing, 2008-2017 Don't Live for Your Obituary: Advice, Commentary and Personal Observations on Writing, 2008-2017 by John Scalzi
My rating: 4 of 5 stars

I have several of John Scalzi's books, so I'm used to his snappy, snarky style. This book (published by the small specialty press Subterranean, and a thick, lovely book it is) pulls from several years of Scalzi's blog posts, on his site Whatever. I've been following the blog for quite some time, so I'm sure I've read all these before. But seeing them in one place, and arranged by subject, just reinforces that John Scalzi is a writer with a lot to say, about his craft, his peers, and other topics such as politics.

His writing style does take a bit of getting used to, especially when he really lets loose. As he himself says, "The failure mode of clever is asshole," and on a couple of occasions I've seen him veer perilously close to that line. Thankfully, he mostly avoids that here, and imparts some solid advice on living the writing life. I especially appreciated the practical advice about money, and managing your time, and protecting your intellectual property. There's plenty of books about the craft of writing, but few that wander into the real-life weeds as some of these pieces do.

All in all, this is a good offering from a successful, working writer. Stephen King's On Writing still leads this particular pack (at least as far as I'm concerned), but this book isn't too far behind.

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March 23, 2018

Review: Skullsworn

Skullsworn Skullsworn by Brian Staveley
My rating: 2 of 5 stars

I had a heckuva time finishing this book, and make no mistake, I did so mostly out of sheer stubbornness, not because the book itself proved to be especially good. I read some of it, set it aside to read other things, picked it up and set it down again. More than once I thought about invoking the Eight Deadly Words. The last time I picked it up, the plot started moving briskly enough that I was able to finish, although I highly doubt I'll read anything by this author ever again.

The overriding problem of this story is the main character, and for a book written in the first person, this is a fatal flaw. Pyrre's voice simply does not carry the day--she's a pessimistic, grimdark sociopath with no sense of humor whatsoever, and for a book built around the premise of an acolyte attempting to become a priestess of her death-god by killing seven people in fourteen days (including one she has fallen in love with), I would think some humor, even black humor, would be mandatory. Instead, Pyrre slogs along stirring up trouble in the city of her birth, and schemes and manipulates in an attempt to ensnare the former lover she has chosen to love and kill. This evil, tiresome dance is stretched beyond the breaking point, to where I wanted to toss her a knife and say, "FOR GOD'S SAKE, JUST PRETEND YOU LOVE HIM AND CUT HIS THROAT ALREADY!!" (Of course, we would have a much shorter story if that happened, which might not be a bad thing.) There's some page-occupying subplots (I say that because they weren't very interesting in and of themselves) about the city and the inhabitants rising up to throw off a conquering empire, and some immortal denizens of the delta, where this story is set, engaging our so-called heroes in the climactic final battle, and blah blah blah, and in the end I really didn't give a crap about any of it. I think this book is strictly for those who are already fans of the series, which is most decidedly Not Me.

Bah. I think this might be another book that deserves a better life at the library, rather than on my shelf.

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March 19, 2018

Review: This Mortal Coil

This Mortal Coil This Mortal Coil by Emily Suvada
My rating: 4 of 5 stars

This book hit just about every sweet spot I have. Good, logical worldbuilding, strong (at times breakneck) pacing, engaging characters, and a late plot twist that made me reconsider everything that came before. There's a love triangle here that borders on cliche (the entire concept is rapidly becoming a cliche anyway; I wish YA didn't rely on it so much), but takes an interesting path of its own. The only reason I didn't give this book five stars is because at the end, the villain succumbs to I Must Explain My Nastiness Syndrome. Granted, the pages of dialogue that follow do give said villain the motivation that was previously lacking, even if the motivation is pretentious and full of hubris, but we also see the intrusive hand of the author, letting the villain bloviate just long enough for the plucky protagonists to triumph.

In fact, now that I've said that, I see the villain is this book's weak link. The main characters, Catarina Agatta and Cole Franklin, carry the book quite ably, and the worldbuilding fascinated me. (Even if I don't think genetic engineering and nanotechnology will ever be as simple as, and/or comparable to, computer coding and the way all three are presented here. I can usually grant an author one or two severe suspensions of disbelief per story, especially if the rest of the worldbuilding makes sense and sticks to its established rules. This book definitely qualifies on those fronts.)

I'd never heard of this author before I ran across her book at the library, but now I've pre-ordered the second book in the trilogy. I'm fully vested in these characters, and I want to find out what happens next.

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March 18, 2018

Review: Pretty Deadly, Vol. 1: The Shrike

Pretty Deadly, Vol. 1: The Shrike Pretty Deadly, Vol. 1: The Shrike by Kelly Sue DeConnick
My rating: 1 of 5 stars

Bah. Another clunker. I normally like Kelly Sue DeConnick, but I couldn't even finish this. The storyline was convoluted and incomprehensible, and the art even more so. I hated the little boxes marching across many of the panels, and the overall effect resembled a grimdark TV series that insists on shooting at night, to the point that the viewer can't even follow what's going on. Sorry, no. This is another one I hope the library can make better use of.

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March 17, 2018

Review: Animosity, Vol. 1

Animosity, Vol. 1 Animosity, Vol. 1 by Marguerite Bennett
My rating: 1 of 5 stars

I hang out at a SFF fanzine, File 770, that offers plenty of book recommendations, and I've found a lot of interesting new books this way. Of course, each recommendation is something of a crapshoot; sometimes you find something you like and sometimes you don't.

This definitely falls into the latter category.

After reading it, it took a couple of days for me to realize why I so disliked this book. The premise sounds exciting and high-concept: in the wink of an eye, some Unknown Event wakes all the world's animals to sentience, and understandably, a great many of them immediately start killing the humans who have mistreated them for so long. The story focuses on an eleven-year-old girl, Jesse Hernandez, and her bloodhound, Sandor (named after a George R.R. Martin character from The Song of Ice and Fire, "the Hound"). Sandor is loyal to and loves Jesse, and will do anything to protect her and get her out of the abandoned wasteland that is now New York and across the country to San Francisco, where her half-brother Adam lives.

All well and good. But I grew more and more dissatisfied as I read; something about this premise was setting my teeth on edge. After a bit, it finally dawned on me what the problem was: in my opinion, the concept is implausible, and the worldbuilding is crap.

Yes, I know that's quite a thing to say about a comic book, and especially so given that I've read a lot of superhero stories, and one of my favorite series is Ms. Marvel. Green mutating Terragen mist, anyone? However, bear with me here, and remember that what follows is the reason why this story doesn't work for me.

One of my most important criteria for a good SFF book is the worldbuilding. I can suspend my disbelief to a point, and a lot of the books I read would not, shall we say, fit in well with the established, observable universe. This is fine, as long as your invented universe is logically consistent and makes sense within the rules the author has decreed for it.

This is precisely where Animosity falls short, and it's made clear right on the third page.

Yesterday, God was in his heaven, the average American consumed 38 lbs of meat per year, and there were roughly 20,000,121,091,000,000,000 animals on planet Earth.

This number can be expressed as 20 quintillion, or the equivalent of 20 billion billions, and includes 500 trillion krill, 50 billion chickens, 1 billion cattle, 1 billion swine, 1 billion domestic sheep, 850 million goats, 600 million cats, 400 million dogs, 60 million horses, 40 million donkeys, 3 million whales, 500,000 elephants, 200,000 chimpanzees, 30,000 American bison, 20,000 polar bears, 8,000 cheetahs, 4,000 Komodo dragons, 1,500 pandas, 500 Siberian tigers, 100 red wolves, 45 Amur leopards, 5 two-horned rhinos, two billion tons of fish, and 10 quintillion insects.

There are also 7,250,000,000 humans, but who's counting.

As of 2016, there were over 1,203,375 species of animals, and one species of human, but as more than 10,000 new species are identified and categorized each year, these statistics are nebulous.

And since we got the data from the Animals, who knows? Maybe they're fucking liars.

Mostly, what we know is this: One day, for no goddamn reason, the Animals woke up. They started thinking. They started talking. They started taking revenge.

We call it the Wake.

It's less dramatic than the Funeral.


Really? Are you kidding me? So every...single...animal on planet Earth woke up? All the mammals, birds, fish, reptiles, insects, spiders, crustaceans, cephalopods, and amphibians? Hell, why not throw in the amoebas, tardigrades, worms, bacteria, viruses, fungi and plants while we're at it? (Now that's a horrific thought, having one's gut microbes suddenly talking with and fighting one another. Or how about sentient kudzu vine, growing three feet a day with the hive-minded aim of claiming every square inch of land for itself, and mushrooms that crawl down your throat to spread their hallucinogenic goodness!!)

You see where I'm going with this? It's illogical, it's overkill, and for me, it destroys the story. If every single animal on earth is suddenly intelligent, and realizes that they cannot feed on other sentient beings (although goodness knows, that never stopped cannabalistic human societies), THEN WHAT THE HELL IS ALL 20 QUINTILLION OF THEM GOING TO EAT? There's not enough plant matter on the planet, or seaweed in the ocean, to feed every other living thing, especially when you have to let some of it grow, or harvest and replant it, to provide your next meal. And that's not even getting into the problem of obligate carnivores, like lions, tigers and house cats, that have to eat meat or they die. There's some vague handwaving in the direction of tofu and human-produced fake meat, but when the awakened Animals are also killing off the only species with the global reach, civilization and technology, and incidentally the manipulative digits, i.e. thumbs, to maybe solve this problem...you know what all this leads to? Complete and total disruption of global food chains and mass starvation of all life. In other words, an extinction event.

Not the cutesy story of A Girl and Her Dog, Fighting the Good Fight.

I can't imagine someone didn't point this glaring flaw out, somewhere along the way. And it's so easily fixed. You can have almost the same story, and by my lights a far more interesting story, simply by limiting the Wake's effects. Instead of all the animals, only have a few animals awake to sentience: those who are already regarded by many as being on the cusp of true intelligence. To name some off the top of my head: elephants, orcas, dolphins, the great apes (gorillas/bonobos/chimpanzees/orangutans/possibly baboons), octopus and squid, parrots and crows, and perhaps a smattering of domestic animals--the border collie, for instance. And once they're awake, don't have them immediately start acting like human beings, either, including using the F-word. (Which is another thing that bugged me--all these animals suddenly talking? THEY DON'T HAVE THE PHYSICAL APPARATUS TO DO SO!! Namely, the lips, tongues, teeth, and larynxes [not to mention areas of the brain] that can produce language!) They would not be like humans; they would be more like aliens who have abruptly found themselves on Earth. Furthermore, they would have to recover from the sudden transition to self-awareness, which would cause considerable trauma all by itself; learn a language; and finally, begin to cope living side-by-side as intelligent beings with humans and their fellow awakened Animals. (That is, assuming that said humans, being the nasty top predators they sometimes are, don't automatically kill every animal who wakes up. Some would try, of course, and some would fight to protect the newly sentient animals, which would add another layer of conflict.)

Now that might be a story. It's certainly not this story, and the more I thought about Animosity, the more it fell apart. So no, I'm not recommending it, and I'm not keeping it. Surely the library can put it to better use.


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March 15, 2018

Review: Black Panther: A Nation Under Our Feet, Book 2

Black Panther: A Nation Under Our Feet, Book 2 Black Panther: A Nation Under Our Feet, Book 2 by Ta-Nehisi Coates
My rating: 3 of 5 stars

I had hoped this second volume of Black Panther would find writer Ta-Nehisi Coates getting his comics legs under him, but that hasn't quite happened yet. The storylines seem overly convoluted and not meshing together terribly well. At the same time, there are individual spots of goodness--the introduction of the Crew, featuring Luke Cage, Misty Knight and Storm; and Shuri's story, which seems to be a bit more cohesive than the rest of the book (and especially her final panel, showing her in a costume that looked like it could be straight out of the movie). Chris Sprouse takes over as artist from Brian Stelfreeze, and at least the quality of the art remains high. But T'challa's storyline seemed to be dragging, only coming to life when the Crew arrived.

There was an interesting snippet of one of Coates' scripts in the back, along with a reprint of one of the older Black Panther comics (which I didn't care for at all. Talk about melodramatic and contrived). Ta-Nehisi Coates' thoughtful, introspective Black Panther is a much better character. Ta-Nehisi Coates just needs to get a tighter grip on the art of storytelling.

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March 14, 2018

Review: Kingsway West

Kingsway West Kingsway West by Greg Pak
My rating: 3 of 5 stars

I think I liked the idea of this more than the execution. The worldbuilding is interesting--a weird alternate history Western with dragons, ghosts, people riding giant jackalopes instead of horses, airships, and a completely different map of the United States. In fact, there is no "U.S.A." as such--just the "United States of New York," Native American "city-states," and a Mexican-ruled "Republica de Los Californios." The MacGuffin of this story is a magical substance called "red gold" that everyone is after. In the middle of all this is a Chinese gunslinger named Kingsway Law, who fled into the Wild after the first Red War, met and married a mysterious woman named Sonia Campos, and is just trying to find his wife. He swore to leave the war and its conflicts behind, but he keeps getting dragged back in.

(The art is somewhat of a problem with the book. It was okay for the most part, but Kingsway never really looked Chinese, at least to this reader.)

I did a bit of searching, but I couldn't find anything to say that the comic has been continued beyond the first four issues, or that there's going to be a second paperback volume. That's too bad. I think there could be some interesting stories told in this world.

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March 11, 2018

Thoughts on "Black Panther"



This is one of the best Marvel movies, along with Thor: Ragnarok. Huh! Marvel gave a couple hundred million dollars to two directors of color and let them tell their stories as they saw fit! Who da'thunk it?

Shuri. Ah, Shuri. I hope there's one scene in Avengers: Infinity War where Shuri goes head-to-head with Tony Stark and outthinks/outtechno-fies his ass.

Kee-ripes, will we ever get away from the overly CGI'd third act? Wonder Woman also fell prey to this, so it's not just a Marvel problem. It makes me appreciate the mostly practical effects of Mad Max: Fury Road even more.

However overly CGI'd, Black Panther's third act was pretty badass. General Okoye stopping the charging battle rhino was alone worth the price of admission. Not to mention Daniel Kaluuya's W'tabi asking her if she would kill her love, and her leveling that vibranium-tipped spear on him and replying, "For Wakanda? Without question."

Even though this is ostensibly a story about Chadwick Boseman's T'challa, in a lot of ways Lupita Nyongo's Nakia was its heart. She sees, before her king does, that Wakanda has a responsibility to humanity, and must begin to share its technology and knowledge with the outside world. (And, of course, this will be just in time, with Thanos barrelling towards Earth.)

This is a movie with a lot to say, and most of it is bound up in the ultimately tragic figure of Michael B. Jordan's Killmonger. His methods were atrocious, and he was not a nice guy and wasn't meant to be, but damn, he still had a point. Marvel had better ramp up the writing and motivations of all its villains henceforth.

If any superhero movie has a chance to win the Best Picture Oscar, I think it's this one. We'll have to see what happens after The Shape of Water's breakthrough.


March 6, 2018

Review: The Girl in the Tower

The Girl in the Tower The Girl in the Tower by Katherine Arden
My rating: 4 of 5 stars

This is the second book in the Winternight Trilogy, following the first book, The Bear and the Nightingale, published early last year. (My review here.) The first book was just okay, I thought; a promising beginning, but not outstanding. I hoped the second book would show improvement, and indeed it has. This volume is much better than the first: tighter, more focused, with better pacing, characterizations, and a genuinely exciting climax.

After leaving her home village, a place Vasya paid a great price to protect and which definitely did not deserve her, our protagonist, disguised as a boy, makes her way to Moscow. There she reunites with her brother and sister, who keep her secret with great disapproval. (The strictures on women in this time and place are absolutely appalling. There are only two paths open for them, either marriage or the convent. Vasya's sister, Olga, wants to put her in the "terem," or the women's tower [hence the title], which is just a fancy word for "prison.") She gets caught up with the Grand Prince of Moscow, and the last third of the book is a fast-paced ride of assassination attempts, undying sorcerers, battles, and Russian myths, including the firebird.

While the main storyline of this book is pretty self-contained, there are intriguing hints left dangling, to stir interest in the forthcoming third book. This book is so much improved over the first that I will definitely be on the lookout for the concluding volume.

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